Smykkernes by

Smykkernes By

HKH

Endelig åbnede vi udstillingen i Rundetaarn som jeg har arbejdet så meget på det sidste års tid. Der var masser af gæster til ferniseringen og alle var glade og begejstrede; min kollega Lasse Bæhring fangede dette billede af HKH Kronprinsessen der tydeligvis også lod sig imponere af mine broscher. Kig ind i Rundetaarn, der venter fine oplevelser.


The Coral Collection and 14 karat

Coral collectionThe Coral Collection and 14 karat

This year the Goldsmiths Guild of Copenhagen celebrates its 585 years anniversary and what would be more appropriate than to honor great craftsmanship with a little competition.

The winner of the competition will be announced tomorrow at 16.00 so please cross your fingers for me as I’m up against very talented and skilled goldsmiths and designers.

Here’s a little more about the contest and my designs:
585 is the hallmark for 14 karat gold, a gold alloy that holds 58,5% gold, and the brief for the competition was to create a 14 karat gold ring, no heavier than 5 grams, with a 0.05ct diamond set in it. The ring could then be backed up by a series of rings with a more artistic feel.

So the silversmith (me) started working; and from this sprung a series of rings in gold and silver sprinkled with a bit of diamonds, sapphires and pearls with a soft and organic feel.

The collection takes it starting point in the structures of traditional diamond jewellery which is often a bit too rigorous and edgy for my taste. My solitaire ring is straightforward; the setting for the stone is organic and rounded and the ring shank has been given extra weight at the bottom, so it sits light and elegant on the finger, but does not seem stingy.

The next rings (unfortunately not photographed yet) copies the structures of classical 5- and 7-setting rings, but an asymmetrical and random placing of the settings gives the rings a lively and organic expression. And then in the next generation of the rings the settings has had their own life and grown wild, just as some lush undersea vegetation.

After handing in my work for the competition in February I have continued working with the little organic settings with or without stones and have had a great response to the pieces. They can be seen and tried on in the shop over the next months.