Årets Bedste Unika

Årets Bedste Unika


FB brosche

Jeg har i år deltaget på Kunsthåndværkermarkedet på Frue plads og i forbindelse med åbningen af markedet torsdag den 13. august. blev markedets pris ‘Håndfuglen’ uddelt. I kategorien bedste nye unika modtog jeg prisen for min brosche i sterling sølv.
Årets Jury for håndfuglen 2015 var designer Nikolaj Steenfatt, Museumsdirektør Sidsel Maria Søndergaard fra Øregaard Museum og Keramiker Steen Ipsen og de var alle begejstrede for mit arbejde.

Broschen er lavet i sterling sølv og tager udgangspunkt i den lille fatning der skal til for at holde en sten på plads i et smykke, således at stenen præsenteres bedst muligt. Fatningerne er gentaget i korallignende strukturer der giver smykket et blødt, organisk og levende præg og distancerer det fra den meget stringente struktur som traditionelt præger juvellérarbejde. Ved et kig på tidligere tiders kronjuveler der ligger i alverdens skatkamre ribbet for sten, fik jeg øje på skønheden i det virvar af metal der ligger gemt bag de dyrebare sten og så dyrkede jeg det til fulde. Broschen er en del af en større serie af smykker med samme udgangspunkt.

Foto: Camilla Hey


The Coral Collection and 14 karat

Coral collectionThe Coral Collection and 14 karat

This year the Goldsmiths Guild of Copenhagen celebrates its 585 years anniversary and what would be more appropriate than to honor great craftsmanship with a little competition.

The winner of the competition will be announced tomorrow at 16.00 so please cross your fingers for me as I’m up against very talented and skilled goldsmiths and designers.

Here’s a little more about the contest and my designs:
585 is the hallmark for 14 karat gold, a gold alloy that holds 58,5% gold, and the brief for the competition was to create a 14 karat gold ring, no heavier than 5 grams, with a 0.05ct diamond set in it. The ring could then be backed up by a series of rings with a more artistic feel.

So the silversmith (me) started working; and from this sprung a series of rings in gold and silver sprinkled with a bit of diamonds, sapphires and pearls with a soft and organic feel.

The collection takes it starting point in the structures of traditional diamond jewellery which is often a bit too rigorous and edgy for my taste. My solitaire ring is straightforward; the setting for the stone is organic and rounded and the ring shank has been given extra weight at the bottom, so it sits light and elegant on the finger, but does not seem stingy.

The next rings (unfortunately not photographed yet) copies the structures of classical 5- and 7-setting rings, but an asymmetrical and random placing of the settings gives the rings a lively and organic expression. And then in the next generation of the rings the settings has had their own life and grown wild, just as some lush undersea vegetation.

After handing in my work for the competition in February I have continued working with the little organic settings with or without stones and have had a great response to the pieces. They can be seen and tried on in the shop over the next months.


Snowdrops

LONE LØVSCHAL_ring

Snowdrops

Beauty, simplicity and the flora of the Nordic countries is the starting point of my new series of jewelry. Little elegant buds in polished or oxidized silver to remind us that even though the winter is long, cold and dark, it is filled with bright moments and spring WILL return once again.

All pieces are produced by hand at the workshop in Copenhagen; some in series and some in one-offs. Stop by the shop to see some more models.

LONE LØVSCHAL_kæde1